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<img width="324" height="160" class="entry-thumb" src="https://thecorchronicle.com/wp-content/uploads/2021/12/half-dozen-324x160.jpg" srcset="https://thecorchronicle.com/wp-content/uploads/2021/12/half-dozen-324x160.jpg 324w, https://thecorchronicle.com/wp-content/uploads/2021/12/half-dozen-533x261.jpg 533w" sizes="(max-width: 324px) 100vw, 324px" alt="" title="The Half Dozen"/>

The Half Dozen

Lauren Hill - November 22, 2023

Navigating the sacred and the profane

Natalie Ramirez - November 22, 2023

“Five Nights at Freddy’s”

Dominic Lubrano - November 20, 2023

“The Boy, the Mole, the Fox and the Horse” review

Francesca Pennell - November 8, 2023

Humans of UD: Sister John Thomas

Hannah Mohr - November 8, 2023

1989 vs 1989 (Taylor’s Version)

RuthAnne Ard - November 8, 2023

<img width="324" height="160" class="entry-thumb" src="https://thecorchronicle.com/wp-content/uploads/2021/12/half-dozen-324x160.jpg" srcset="https://thecorchronicle.com/wp-content/uploads/2021/12/half-dozen-324x160.jpg 324w, https://thecorchronicle.com/wp-content/uploads/2021/12/half-dozen-533x261.jpg 533w" sizes="(max-width: 324px) 100vw, 324px" alt="" title="The Half Dozen"/>

The Half Dozen

Lauren Hill - November 1, 2023

“Legally Blonde”: The chick flick that isn’t

Joseph Fournier - November 1, 2023

Día de los Muertos and Halloween in DFW

Lauren Antonacci - November 1, 2023

Spider-Man and the rule of mercy

Dolan Kay - October 29, 2023

Humans of UD: Noah Ziskrout

Annie Bui - October 29, 2023

“Bondage” by Star Finch is a violent, magical tale of empowerment

Maylis Quesnel - October 20, 2023

Taylor Swift the New Romantic

Kate Sullivan - October 20, 2023

“It’s about infinity, and I don’t know what else.”

JP Aglialoro - October 20, 2023

Selena Quintanilla: “The Queen of Tejano Music”

Thérèse Castillo - October 10, 2023

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